Friday, November 20, 2009 Amusement parks:Overheard at IAAPA, Las Vegas    Seen and heard by Blooloop's Judith Rubin at the biggest annual trade event of the Themed Entertainment Industry.
The era of instant journalism fostered by the Internet has sparked a new watchfulness on the part of the industry. It seemed that practically every time I took out my notebook or thumbed the keys on my mobile phone over the past three days, someone would half jokingly inquire with a certain amount of nervousness what was being recorded or transmitted.

I like to think that the ability to publish rapidly has not affected my judgment as an editor. It has never been my goal to be the Louella Parsons of the themed entertainment industry. I hereby present some news snippets and observations gathered during the IAAPA show in Las Vegas, which is closing today. You can read on without fear of encountering scandal or premature reporting. Should you find any inaccuracies here they are probably the result of not being able to read my own scrawl from the notebook.

Yves Pepin and Jean-Michel Louis, long associated with ECA2, have both moved on from that company. Pepin departed last year to focus on being an independent creative with more control over his agenda, and continues to collaborate with ECA2 on such projects as the State Grid Pavilion for Shanghai Expo 2010. Louis departed last month to join Le Public Systeme, an event production company. The new CEO of ECA2 is Jean-Christophe Canizares.

Also taking the independent path was lighting designer Pat Gallegos. The former TEA president was most recently with X-nth. Gallegos specialized in themed architectural lighting design, an art he mastered on the job in the creation of Epcot, as a theater grad learning the ropes at WED Enterprises (now Walt Disney Imagineering).

Milwaukee-based lighting designer Marty Peck worked on a project lighting the Mitchell Park Domes, that has contributed to Milwaukee's downtown revitalization. The trio of existing horticultural domes was spiced up for new evening programming with LEDs and floods from Color Kinetics, controlled by an ETC Pharos system. The project budget was a thrifty $550k.

TEA International Board member Christine Kerr attended the show with her son Alex, a recent graduate who after a lifetime of hearing his mother talk about the industry, has decided it might be the place for his own career, too. As a major in biochemistry and a minor in drama, he is already the embodiment of science theater.

We ran into Dan Martin of Market Feasibility Advisers at the Elvis-themed party hosted by BRC Imagination Arts. The company has a new project in Saudi Arabia. Recent work includes helping to solve an unanticipated overcrowding problem at the Monterey Bay Aquarium, strategizing the re-opening of the Statue of Liberty to the public and sorting out visitor flow at the US Capitol Visitor Center. Martin's company frequently collaborates with another company, Orca, which is made up of Disney operations veterans.

Jon Corfino of Attraction Media & Entertainment Inc. was pleased to report a signed deal with Blue Man Group to create a 4D multimedia attraction that will be produced by Charlotte Huggins.

The Themed Entertainment Association held its annual meeting to evaluate the past year and look ahead. Steve Thorburn of Thorburn Associates Inc. was confirmed for a second term as TEA president. Membership numbers are up. The Europe/Middle East Division new head is Alan Wilkinson of Electrosonic (Kevin Murphy of Event Communications Ltd., outgoing). In the US, the Eastern Division's new head is Brian Morrow of SeaWorld (Steve Birket of Birket Engineering, outgoing) and David Aion of Aion Themed Environments is the new head of the Western Division, with Daren Ulmer outgoing.

Back on the show floor, Michael Needham and David Needham of SimEx-Iwerks were promoting, on the heels of much success with the SpongeBob 4D attraction, forthcoming releases in various stages of production: a Dora & Diego 4D attraction (the deal brings together SimEx-Iwerks with Paramount and Nickelodeon) being produced by Super 78, a Happy Feet 4D attraction (we saw a rough cut), a 4D Wizard of Oz experience for which the original Warner Bros. film footage is being edited and converted to 3D, and the new SpeedRacer ridefilm which packs an impressive amount of storytelling into a very high-paced animation adventure.

Janine Baker of nWave Pictures reported that the company has secured rights to the classic children's book, The Little Prince, and will begin work on a 3D animated film version for wide release. Pirates Treasure 4D from nWave opens March 2010. The company that gave you Fly Me to the Moon is now having good success with its sea turtle movie package in multiple markets, with museums, aquariums and theme parks all enthusiastic about booking TurtleVision 4D, to the point where some special venues are installing 3D theaters specifically to open with that show. Ben Stassen fans take note: the man himself will be on the IAAPA floor today.

More news to come about the people, companies and projects of the themed attractions industry  – watch for Part II of my IAAPA show report tomorrow.

See also

Themed Design: Lagasse's Stadium hits a home run for sports-themed restaurants
Themed Entertainment Association (TEA) Announces 16th Annual Thea Award Recipients

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Themed Design: Lagasse's Stadium hits a home run for sports-themed restaurants    Checking in here live from the IAAPA Attractions Expo in Las Vegas...

The concept of themed dining—sometimes referred to as “eat-ertainment—has been around the amusement industry for several years in several different formats.  You’ve had character breakfasts, dinner shows, and restaurants with audio and visual experiences like the Rainforest Cafes from Schussler Creative...
By:  Chad Emerson


(See alsoThemed Restaurants: Chad Emerson Interviews Steve Schussler)

It’s not a surprise that here in Las Vegas, one of the entertainment capitals of the world, companies are continuing to innovate and further improve on the world of immersive dining experiences. 


One of the latest examples I have enjoyed this week is Lagasse’s Stadium at the Palazzo casino and resort on the Las Vegas Strip. According to Grant Speros, the manager of this new offering from world-renowned chef Emeril Lagasse, “the Stadium is truly unique from anywhere else in the world.  It’s a place that could probably start a brand new trend with great theming and dining.”

What I find outstanding about Lagasse’s Stadium is that it takes sports viewing and gaming - an option that we have seen often enough in restaurants over the years for it to have grown somewhat stale -and re-infuses it with new energy. The Stadium met this challenge by creating a venue that replicates the sights and sounds of actually being in a big-league park or arena. From the moment guests enter, they encounter sports memorabilia set among tiered, stadium seating which itself is surrounded by “luxury boxes” (private gathering rooms with big screens, pool tables, and other amenities) and “skyboxes” (exclusive space located above much of the venue’s other seating).

Lagasse's Stadium takes sports theming beyond an ESPN SportsZone or an All*Star Café by conveying, with an authentic feel, the excitement found at the actual game. The tiered seating and skyboxes especially give the guest a feeling of being in a real gameday setting. But, the innovation doesn’t stop with the physical environment – there's another  special ingredient I enjoyed that sets it apart from other sports viewing and gaming venues – the food!

The conventional fare at a sports gaming facility is typically limited to hot dogs, peanuts, and hamburgers. While the Stadium certainly includes those options, it further innovates by taking the quality and scope of its menu to a whole new level. Emeril Lagasse himself re-envisioned those stadium classics and added a host of comfort cuisine – sandwiches, appetizers and desserts that I think will hit a home run with diners.

Image: IS Photography

Related:
ETC lighting products help Palazzo Las Vegas achieve LEED standard and establish a new industry benchmark
Themed Design: At Shakespeare's Birthplace, the project management of visitor emotions
Dubai: Themed Design and Architecture Straight from the Catwalk

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Tuesday, November 10, 2009 Amusement Parks: Paulton's Park pickle - update    It appears that Paulton's Park may try to get clearance from the NPA for the Cobra roller coaster as it may be the quieter of the 2 rides and did not garner near as much criticism by the park's opposition as did the newly installed Edge Disk-O coaster. Besides, the Edge is probably the easier ride to relocate of the two...
Greg Van Gompel

(see: Amusement Parks: Paulton's Park pickle underscores the importance of prior planning approval for new rides or attractions )   In a recent article, a spokesperson for Paultons confirmed that an application has been lodged with the NPA to retain the Cobra ride.
 
A more telling comment was made by one of the seven NPA members who voted against the application, Totten councillor Alan Weeks who said: “I can’t pre-judge what decision will be made in relation to the proposal to retain the Cobra.  However, at the meeting last month there was an indication that members would probably have supported the application if it had been the Cobra on its own.”

See also: Amusement Parks - To represent the amusement industry, you must become a part of it: Lary Zucker on career, networking and litigation

Posted By Greg Van Gompel -- At 3:33 PM | Comments (0) | Trackbacks (0)
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